All these new features make DaVinci Resolve 14 is the world’s most advanced post production software. Plus, DaVinci Resolve 14 features revolutionary new multi user collaboration tools such as bin locking, chat and timeline merging that allow editors, colourists, and sound editors to all work on the same project at the same time.
Colourists will find amazing new filters that include automatic facial recognition and tracking for quickly smoothing skin tones, brightening eyes, changing lip colour and more. You also get a whole new page with the full Fairlight audio post production tools that let you record, edit, mix, sweeten and master sound with full 3D audio space and up to 1000 channels. The new playback engine dramatically increases responsiveness with up to 10x better performance for editors. Download it for free and try it today.ĭaVinci Resolve 14 has hundreds of new features for editors, colourists and now, for the first time, audio professionals. DaVinci Resolve 14 is a revolution in post production. Best of all, if you’re collaborating on a team, you can all work on the same project at the same time. All it takes is a single click to switch between editing, colour correcting, audio mastering and delivery. It’s like getting 3 high end applications in one. Now, with DaVinci Resolve 14, you get incredible new Fairlight audio tools specifically designed for film and television post production.
DaVinci is also the world’s fastest growing and most advanced editing software. Originally designed for Hollywood’s elite colourists, DaVinci Resolve has been used on more feature films and TV shows than anything else because it lets you create images that are simply impossible with other tools. Miss some little check-box here/there, and. Get everything right, it probably mostly sort of works first time. That's not even talking about getting the output such that the NLE is happy for the return or "coming home" of the project. The particular project he's demo-ing did come from PrPro, but he says the type/nature of issues will change a bit depending on the NLE, but the presence of issues. And how he has to work to get around them. Pat Inhofer has been demonstrating a whole host of things he gets from experienced editors that cause issues within Resolve. there's all sorts of issues that can occur even among those who are used to doing it. one of the main series going now is a whole bunch of 10-15 minute tutorials on simply getting an XML and media from an editor conformed within Resolve. I'm a member of a colorist's teaching website. The full "round trip" out from an NLE to a grading or fx app & back is a minefield.
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